by Dean Wolfe, prog dog media (album released 2024)
If I had done a 2024's Best Albums of the Year List, Oddleaf would likely have topped it. Although there's no shortage of fresh new progrock hitting hot wax.
Oddleaf are likely inspired by some of the classic 70s prog rock bands- one in particular they do remind me of is the great female-singer led Rennaissance- and Oddleaf's lead vocalist Adeline Gurtner is on par with Annie Haslam in presence and substance.
This band creates rock epics without any need to resort to modern prog metal vibes. The flute figures large in many parts of the album and transports me to the dense forests of Tolkien's Middle Earth at times, or the Dark Ages. There is no lack of bass on the album- it is unmistakably present and integral to the band's sound- often (maybe always) picking the bass with a treble-inducing plectrum.
And did I mention the drummer? Highly energetic, sophisticated- but not sounding too 'technical'- he's playing in cool time sigs all the time, but he's so sneaky about it- he makes it sound natural and easy- sort of like Yes' Alan White and less like Rush's Neil Peart.
Complexity abounds on this debut album "Where Ideal and Denial Collide" yet it manages to remain subtle. The production is balanced- not overly processed - very cohesive- clean-- it all sits perfectly - which is I think due in part to the band's skills of self-editing. There aren't 'too many notes' or too many instruments. All of Oddleaf's musical elements intertwine without clashing or competing- actually a remarkable feat. I can liken it to watching a busy intersection in Vietnam that has no stoplights yet everyone manages to flow through without incident- it's mesmerizing.
Did I mention the keyboards? Lots of accomplished playing- great rock organ solos...some great piano sections and cool Tony Banks and Keith Emerson-ish playful escapades. I need to check if she's won any awards yet- she sounds like a giant in the making. Lots of fantastic sections.
I'm a guitarist, so I noticed there is only a scattering of electric guitar across the album...several solos, but the album doesn't feel lacking in any way. The 'Oddleaf' sound has been confidently nailed. Regardless of comparisons made here, Oddleaf have their own unique sound.
The album opener- and closer- are epic and grandiose- graceful and hearkening to the days when an album was an album. It really does capture the entire album's vibe- one of optimism. The lyrics throughout are cleverly woven and remind us to honour the planet, but no matter what 'the Earth's core will remain warm'. 'Bring me back to a simple time..' she sings.
The songwriting is adventurous but mature- the music unfolds gracefully, effortlessly. A remarkable first effort by any standard. Strong melodies are spread throughout, haunting at times, surprisingly wide in scope. The album's tracks are often tied together, sometimes with windy desert sounds, and the album finishes off with what sounds like a whale swimming off into the distance, singing 'goodbye' and leaving the listener in a state of peaceful longing.
The latter part of the album departs a little bit from the tone it began with - a little less heavy-hitting on 'song'-ness, and is more experimental and noodle-y- perhaps hinting already that Oddleaf is not content without a little boundary-pushing playfulness.
Carina does back up vocals and writes a lion's share of the music. She is one serious composer of great promise. I can easily imagine Oddleaf recording a film soundtrack- there is some gauzy cinematic vibes throughout the album.
The flute work is refreshing. It's such an earthy instrument- and is like a link to a musical past of simpler ages - but borne upon a breath of hope and positivity. It reminds me more of Peter Gabriel with Genesis than Jethro Tull- but I don't know Tull too well yet. Others can chime in on the comparison.
I could go on, but let's leave it there- My score is 5 bones out of 5. Simply a spectacular album. Thank-you, Oddleaf.
